quickie sex in office is also true -- very few if any of the elements generated in and by the imagination are wholly "new" because many offline percepts can be traced back to percepts already present in memory.">

Last exit to brooklyn sex scene. Apparently the narrator knows all the facts, yet nobody is going to ask her how she came by her knowledge.

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It was the nightmare of real things, the fallen wonder of the world.

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Ann Vanspankeren -

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That said, imaginary perception often advertises its status by being notably less realistic than online perception.

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No more booming bands, no searchlit skies.

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Any strategy that helps explain how readers negotiate such texts is therefore most welcome.

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But it was not until much later that I was able to get any real sleep.

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Scarry

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Wednesday morning the snow-ploughs were out.







The final two hours of The Return are among the most mind-meltingly intense episodes of television ever devised, all building to a daring and stunning final scene that still has fans talking.







Action, story analysis, tellability N5.







The two men at the counter read the menu.







Surveying Western narrative fiction, Genette distinguishes three major types of focalization -- zero unrestrictedinternal restricted to 'inside views', that is, views into or from within a character's mindand external restricted to 'outside views'.